I have been spending about 20 minutes each morning working in charcoal. I generally work without any plan or source. I have only about four basic charcoal colours, but I use mainly black and white. The images shown above and below were both about 15 to 20 minute sketches. I really enjoy the feeling of working on a slightly larger than normal format, and especially without a care about “wasting paint” if the result is less than satisfying.
I found the charcoal, unlike oil paint, does not look very good up close. One loses the effect that the work has when viewed across a room. The photos below shows the A3 pad on my makeshift easel. When I step back, as in the left photo, it allows me to see if the image has potential for a painting. I have since turned the left image (top of this post), into a painting that I am quite happy about.
I love the earthy matt look of a strong charcoal line. I have been thinking of ducks and drakes on still water as the night approaches. Wendell Berry wrote a poem about this:
The Peace of Wild Things When despair for the world grows in me and I wake in the night at the least sound in fear of what my life and my children’s lives may be, I go and lie down where the wood drake rests in his beauty on the water, and the great heron feeds. I come into the peace of wild things who do not tax their lives with forethought of grief. I come into the presence of still water. And I feel above me the day-blind stars waiting with their light. For a time I rest in the grace of the world, and am free. Wendell Berry, from The Selected Poems of Wendell Berry. This copy from The Poetry Foundation
Thanks to all who have encouraged me with likes, comments and especially all of you who follow my blog. I hope you are happy and content.
that first image, Invented Landscape…. is so incredibly beautiful! It really captured my eye. And, I do like the second one as well 🙂 Charcoal has a special grace that you captured wonderfully.
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Thanks so much Debi. I did a painting based on the first one and I really like it. I hope to post it soon – but some matt spots have appeared in the dark areas so I need to “oil it out” – something I have not done before. Fingers crossed I won’t mess it up!
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here’s wishing good luck to the oiling it out process!! 🙂 cheers, Debi
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Thanks, I think it went ok. I posted the painting now.
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The 2nd one reminds me of pictures I’ve seen of the aftermath of the Somme. I am intrigued by your studio, no windows?
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Thanks FR. I think your observation is very sensitive to the image. I feel about the same way. The drawing really started with just a jumble of black in the corner, but as soon as the horizon line went down this desolate landscape emerged. It really has that feeling of a no man’s land?
Actually, my studio has too many windows! Most of the right side is windows, but they face north-west-ish which in NZ means changing light all the time. I have them curtained up. But in any event – the photo is taken in early morning, so still dark outside!
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I have always imagined that ‘the artist’ paints the views from his/her beautifully illuminated garret! Am suitably reinfomed!
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Alas, not yet, but one day I might just paint from a beautifully illuminated garret!
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The Battle of the Somme was brought to mind for me too. It’s in the zeitgeist at the moment.
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Thanks Simon, yes indeed it seems to be so. By coincidence I ended up with my kids in the Auckland War Museum today. It has an impressive WW I exhibition. Thanks for visiting!
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That is beautiful yet it evokes a sadness! Great job xx
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Many thanks for your kind comment, and thanks for visiting!
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Both of them are great.
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Thanks so much!
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Love these charcoals, especially the first one and with the warmth that you used was just right. I love Wendell Berry, one of my favorite authors and that poem of his is my favorite.
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Thanks Margaret. It is Saturday morning now and I hope to turn some more charcoal sketches into paintings this weekend. I also plan to take some time to see what you and some of my other friends on WordPress have been up to. So watch out for comments!
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Happy painting and go get ’em! 🙂
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I think it’s great that you’re pursuing drawing on this larger scale that’s closer to the size of the paintings. You can exercise the same freedom of invention that you’ve used making thumbnails and yet the drawing is already something in its own right. So glad that you’ve already used one for a painting. That will be fun to see.
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Thanks Aletha. I hope to post the painting based on the first (top) drawing soon. As I commented elsewhere – the painting has gone dead/matt in some areas so I have to oil it out – something you told me about in one of my very early posts. Let’s hope it turns out OK!
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Reblogged this on Letters & notes and commented:
I really love these paintings and the poem as well. The paintings also remind me of the aftermath of a heavy battle, bombing or seige.
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Thanks so much Gretl for your kind words and also for the re-blog. It is very interesting that you think the paintings resemble the aftermath of a battle – see the comment by Fragglerocking above – it seems there is something desolate in the drawings that evoke that sort of emotion. I am not really such a dark person! But I do like the tonal contrasts and the mystery an open landscape with a low horizon line evokes. Thanks again for your comment!
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I really like the energy in your charcoal drawings. Maybe as a result of your sense of freedom in the medium?
And what a great poem. “Forethought of grief” is a particularly interesting idea.
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Thanks so much Nadia. I really feel liberated when I work with the charcoal, no real outcome in mind, just playing around. Whether starting a business or an artwork, that is often the best attitude, I think?
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Absolutely! It’s like downhill skiing. You can only do it if you’re completely free and loose. As soon as you get tense, you crash.
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